Fri Jun 03, 2011 3:58 am by jtdaltonsr
Yeah ive noticed that. I have Ichiban Sumi outliner ink, which is pretty thin. That goes straight in, one pass. Ive also used the Intenz Zuper black for outlining, and it goes in well and is dark as HELL but i sometimes have to touch a few lines up more than the Ichiban. Ive also noticed the thinner ink is easier to layer than the thicker inks, the thick ones go in and are just as black as the other layer, at least for me. So i tend to stay away from shading with ANY thick inks until i understand how to manipulate them better. I also dont wash my thick inks down, even though i was told it was recommended when using the Starbrite inks bc i dont want to ruin perfect ink, ya know? I figure its thick for a reason. Maybe not, but until i fully understand what i will be doing, I will leave that alone and just use it as it is right now. Im pretty comfortable with what inks i will use for a particualar piece, for example, if im doing alot of packing, the thick ink works well for me. If im doing some gradients, I use the Ichiban Sumi, even though its for outlining, it still is a GREAT ink for some light shading.